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In LICENCE TO KILL, James Bond (Timothy Dalton) quits Her Majesty's Secret Service to go after a drug kingpin (Anthony Zerbe) who brutalised a fellow agent and his new bride. This 16th 007 installment is one of the best in the series and the first not based on an Ian Fleming story. Dalton makes his final appearance as Bond in the film; the following 007 outing, GOLDENEYE, features Pierce Brosnan as the dashing secret agent. |
Radio Times
Without SMERSH or SPECTRE to outwit (this was the era of Mikhail Gorbachev's glasnost, after all), James Bond turned his attention to big-time drug barons. Timothy Dalton phones in his performance, Desmond Llewelyn is given his biggest role to date and there's a spectacular chase with an oil tanker, but the relentless violence and lack of sexual conquests make this more of a Lethal Weapon than a Bond movie. The title was to have been Licence Revoked until market research implied that Americans didn't know what revoked meant. Anyway, when 007 does get his licence revoked, he's asked to hand over his gun. Then it's a farewell to arms, he says to M in the garden of Hemingway's home in Key West. It's a rare moment of style in a jaded effort.
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Halliwell's Film Guide
The mixture is much as usual, though the action is more violent and Bond has become more of a free agent.