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From The Life Of The Marionettes (1980) Certificate 18

From The Life Of The Marionettes

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Rated 3.0 stars
Average rating
(62%)
 
Starring: Robert Atzorn | Christine Buchegger | Martin Benrath | Heinz Bennent
Director: Ingmar Bergman
Studio: PALISADES TARTAN
Run time: 99 mins
Genres: Drama | World Cinema
Languages: German
Subtitles: English
Released: February 25, 2002

Filmed in Germany during the director's exile from Sweden after being charged with tax evasion, FROM THE LIFE OF THE MARIONETTES is an unusually raw and explicit Ingmar Bergman drama, featuring two supporting characters from SCENES FROM A MARRIAGE. Peter Egermann (Robert Atzorn), outwardly stable and well adjusted, suffers from depression, feelings of sexual inadequacy, and barely suppressed rage toward his wife, Katarina (Christine Buchegger), the latter eventually leading to the brutal rape and murder of a prostitute. Events are not presented in chronological order, but the film consists mainly of a number of scenes preceding the crime that painfully illustrate the Egermanns' marital discord, and a series of subsequent police interrogations involving psychiatrist Mogens Jensen (Martin Benrath), a friend of the Egermanns'; Katarina's business partner, Tim (Walter Schmidinger); and Peter's devastated mother (Lola Muthel).
Bergman made this picture with a predominantly German cast and crew--the only exception being his longtime cinematographer, Sven Nykvist. All scenes were shot in black and white except the opening sequence, depicting the murder, and the epilogue.

Radio Times

Ingmar Bergman's second film made during his tax exile in Germany is superior to the misconceived The Serpent's Egg (1977). Opening with the murder of a prostitute in a blood-red room, most of the film is shot in stark monochrome with an intense whiteness in the dream sequences. Balanced between the distancing device of Brechtian titles and the use of large closeups, Bergman created a tightly controlled case history in the German idiom. Many of the thoughts of the characters are delivered via speeches, most notably a depressing monologue by an ageing gay man, a rarity in Bergman's female-dominated oeuvre.

Highest rated reviews

7 out of 7 people found the following review helpful:

Rated 3.0 stars
German Oddity

A Customer from London, 19th July, 2004

If you're interested in the psychology of murder/breakdown and a definitely germanic feel to a Bergmann film this is worth a look. Filmed mainly in b/w it is, a genuine attempt to examine how extreme violence occurs, and whilst it suffers a little from cliche (the white coated 70s psychiatrist) on the whole it navigates some difficult territory. Disburbing. Thought provoking

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4 out of 4 people found the following review helpful:

Rated 3.0 stars
No hope, no happiness

Zamy from , 18th April, 2005

Since this is one of Bergman's favourites among his films we can perhaps that he shares its bleak view of the human condition. So this film comes with a health warning: if your mentalstate is at all fragile probably give it a miss. Life has no meaning, we hate and seek to harm those close to us, there is no happiness to be had ina human life, there is only despair. And yet Bergman compellingly disects the mind of the murderer and throws light on what it must be like to have lost hope. The film is a case study in which there are no answers; each scene gives ua a view of what has happened with flash backs and flash forwards. Most of these scenes are powerful except for one superfluous scene (and Bergman spotted it himself) where the murderer dictates a business letter to his secretary. The rest builds the tension, revealing more of a tortured man. Not film as entertainment then; thought provoking and psychologically revealing or mumbo-jumbo depending on your point of view.

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1 out of 1 people found the following review helpful:

Rated 5.0 stars
La Regle de Jour

A Customer from Winchester, Hants., 9th December, 2005

A tremendously powerful portrayal of the emotional underbelly of a disfunctional union. This film was a pleasure to watch as the plot slowly unfolded before me. The contrast of the unusual pace and the depth of feeling was intriguing. Great film!

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1 out of 2 people found the following review helpful:

Rated 1.0 stars
Life of the Marionettes

philjb from , 5th April, 2005

For a major director this was a disappointing film with a fairly limp script and rather unbelievable and stereotyped characters. What starts as an apparent thriller changes into more of a psychological tutorial where Bergman gets his actors to do the explaining leaving few intellectual demands on the audience.
If you are unhappy it won't cheer you up but if you are looking for raw acting and in-depth analysis of the major players then you might just get something out of it.

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Most recent reviews

1 out of 3 people found the following review helpful:

Rated 2.0 stars
Intellectual

Baronchris from , 19th December, 2005

Dark and moody but then that is what you must expect from Bergman and his ilk.

It delivered what it promised and will please the film buff and intellectual.

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